Thursday, June 4, 2009
Personal life
Plimpton had a high-profile relationship with River Phoenix, including an appearance together at the Academy Awards where she sported a shaved head.
Their relationship later ended due to Plimpton's objection to his recreational drug use, which claimed his life in 1993.
Plimpton's stepfather is the theatre director Daniel Sullivan.
Plimpton has a myspace website with pictures and blog entries about her projects and perspectives.
Their relationship later ended due to Plimpton's objection to his recreational drug use, which claimed his life in 1993.
Plimpton's stepfather is the theatre director Daniel Sullivan.
Plimpton has a myspace website with pictures and blog entries about her projects and perspectives.
Career
Plimpton began her career in modeling, securing an early 1980s campaign for Calvin Klein, making an impression as a sophisticated, but tomboyish little girl. She made her screen debut in 1981, when at the age of 11 she had a small part in the film Rollover, she appeared in the Deep South independent drama The River Rat opposite Tommy Lee Jones. Her breakthrough performance was as Stef Steinbrenner in the 1985 feature film The Goonies. She also appeared that year in a featured role on the television sitcom Family Ties.
This would begin a trend of Plimpton being repeatedly cast in the role of a rebellious tomboy for several years, beginning with her critically lauded performance as the Reverend Spellgood (Andre Gregory)'s daughter in the 1986 film The Mosquito Coast starring Harrison Ford. It was on the set of this film that she met her future real-life love interest, River Phoenix. A critically praised but commercially unsuccessful venture with Barbara Hershey in the 1987 film Shy People was followed by a performance in the quirky 1988 ensemble comedy Stars and Bars. This was released shortly before Plimpton's second collaboration with River Phoenix in the film Running on Empty, an Academy Award-nominated film for which she was nominated for a Young Artist Award.
Plimpton began what became a career trend, mixing small independent film appearances with supporting roles in big-budget films. She appeared in the 1989 Woody Allen film Another Woman; that year, she co-starred with Jami Gertz as a cancer patient in the German film Zwei Frauen (released in America as Silence Like Glass). The film was nominated for Outstanding Feature Film at the German Film Awards.
Plimpton's most high-profile performance since The Goonies was in the 1989 Steve Martin film Parenthood. Plimpton had shaved her head bald to play a cancer patient in Zwei Frauen, and her reputation for playing rebellious teenagers secured her the role of the indignant teenage daughter (who shaves her head) of Dianne Wiest. Coincidentally, Plimpton appeared alongside Joaquin Phoenix (then credited as Leaf Phoenix), the younger brother of her former boyfriend, River, where he portrayed her on-screen brother.
In 1991 Plimpton appeared in the Robert De Niro film Stanley & Iris in a supporting role. In 1992, Plimpton appeared as a lesbian terrorist in the independent film Inside Monkey Zetterland. She also played the starring role in the film Samantha.
The success of Samantha garnered Plimpton a variety of roles in 1993. She appeared with Cuba Gooding, Jr., in the television film Daybreak and was a part of the mostly improvised television film Chantilly Lace. She had a featured role in the big-budget films Josh and S.A.M. and played the lead in the critically blasted film adaptation of the Carolyn Chute novel The Beans of Egypt, Maine. As a testament to her own "indie cred", Plimpton also appeared that year as herself in the independent film My Life's in Turnaround, a movie about filmmakers trying to make a movie.
Plimpton continued to make appearances in featured roles in both independent films and mainstream movies from 1994 through 1997, most notably as a close friend of radical feminist Valerie Solanas in the film I Shot Andy Warhol.
In 1997 the Showtime Network cast Plimpton as the female lead in a television film called The Defenders: Payback. The show was a retooling of the classic television show by the same name, and the characters were descendants of character Lawrence Preston, a role reprised by actor E.G. Marshall. The intent was to spin the program off into a series akin to Law & Order, but Marshall died in 1998. Two additional episodes (The Defenders: Choice of Evils and The Defenders: Taking the First) were aired as specials that year. The decision was made to not continue production (despite high ratings and critical praise) due to Marshall's death.
Plimpton became involved with The Steppenwolf Theatre Company in Chicago where she appeared in Hedda Gabler (2001) among others. In 1998 she appeared in the John Waters film Pecker; the film was lambasted but Plimpton's work was praised. This also occurred with her appearance in the 1999 crafty 200 Cigarettes. In 1999 Plimpton had a recurring role in the television drama ER as Meg Corwyn. In 2001, she co-starred with Jacqueline Bisset in The Sleepy Time Gal, which was nominated for the Grand Jury Prize at Cannes Film Festival.
In 2002, she appeared in the documentary film Searching for Debra Winger and was nominated for an Emmy Award for her guest appearance on the television drama Law & Order: Special Victims Unit. Plimpton was the voice of Miss Crumbles in the 2004 animated film Hair High by Bill Plympton. In 2004, she also guest-starred on an episode of the program 7th Heaven; she received her first writing credit for a different episode of the show that year entitled "Red Socks." She continues to act in television, film and on stage. She has begun narrating audiobooks, notably the novel Diary by Chuck Palahniuk and Mrs. Kimble by Jennifer Haigh. Plimpton had a recurring role on the NBC show Surface, which aired in the 2005-06 season.
From October 2006 until May 2007, she was in The Coast of Utopia, a trilogy of plays by Tom Stoppard that played at the Lincoln Center. For her work in this play she won a Drama Desk Award and was nominated for a Tony award. (The Tony was awarded to fellow cast member Jennifer Ehle.)
In October 2007 Plimpton completed a starring role in A Midsummer Night's Dream on Broadway in New York City. She then began rehearsals for the play Cymbeline. She and friend Richard began a production company called Everything is Horrible.[5] They have produced a number of short films for the internet.
In November 2008, she earned unanimously rave reviews as Gladys Bumps in the Roundabout Theatre Company production of the classical Rodgers and Hart musical Pal Joey on Broadway.
Plimpton is friends with singer Lucy Wainwright Roche. In 2008, she sang a duet with Roche on the Roche's E.P. 8 More singing the Bruce Springsteen song Hungry Heart.
Plimpton received her second nomination for a Tony Award in 2008, Best Performance by a Featured Actress In a Play, for her work in Top Girls at the Biltmore Theater.
Plimpton appeared in the 2008 Entertainment Weekly photo issue spread as one of "The Hardest Working Actors In Showbiz." In the spread she appears with Lance Reddick, Celia Weston, John Slattery, Bobby Cannavale, James Rebhorn, Lynn Cohen, Matt Servitto and Bob Balaban. Plimpton says in the write-up about her "I went to jury duty the other day, and somebody said, 'You always play drug addicts!' I've played a few on TV, and I imagine because the shows get replayed, it seems like more. But yeah, people tend to see me as this pregnant teenage heroin addict."
In 2009, Plimpton received her third consecutive Tony nomination, for Featured Actress in a Musical in Pal Joey.
She is referenced in the Lawrence Arms song "Light Breathing (Me and Martha Plimpton in a fancy elevator)," a song detailing the singer unexpectedly stepping into an elevator with her and being unable to overcome shyness to ask her out.
Early life
Plimpton was born in New York City, New York, the daughter of actors Keith Carradine and Shelley Plimpton, who were not married at the time of her birth; her paternal grandfather was actor John Carradine. She attended the Professional Children's School in Manhattan. Her first stage appearance was when her mother brought her on stage in costume for the curtain call of the short-lived Broadway play The Leaf People.
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